HIGHLIGHTS AND SHADOWS
26. HIGHLIGHTS AND SHADOWS (1).
Here we have a model. We transfer the drawing to the fan with tailoring tracing paper. We use this paper to leave no trace. Once the theme is transferred, we start painting.
We begin with the leaves with ochre and we move to the stems.
Please notice that I change the thickness of my strokes whenever I need to bring some detail out or if I want to add volume.